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The CB-3 is a cool little booster that is designed
for a variety of applications. It can be used to
boost solo passages, or to distort an input signal
while retaining unity gain with the bypassed
signal. Its unique tone circuitry allows for
boosting of the input signal without altering the
original tone. Whatever music you play, keep it
cool with the CB-3!
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for pricing. |
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Flanging first came into popularity in the 1960's.
The effect was produced by slowing down playback
of a recorded track by dragging a finger against
the tape-reel "flange" to delay the signal. When
this altered track was played back against the
original the resulting peaks and notches in the
frequency spectrum produced the signature "swoosh"
we now know so well.
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for pricing. |
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The HD-3 Hot Drive provides the maximum distortion
available in a stompbox while still retaining note
clarity. The HD-3 allows you to easily create
rich, singing harmonic feedback and can make your
combo amp sound like a stack. Its brutal yet
articulate tone makes the HD-3 perfect for use on
Bass or Vocals as well as Guitar.
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for pricing. |
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Chorusing effects are produced by slightly
delaying an input signal and reintroducing it
against the original while simultaneously varying
the pitch by a small amount. This combination of
signals gives the effect of two instruments
playing at once - a chorus of instruments, so to
speak.
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for pricing. |
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Just what is so great about the MD-3? Quite
simply, it offers the most authentic note
reproduction of any delay device available,
period. Notes come back exactly as you played
them: Not rounder, harsher, warmer, colder, or
altered in any manner whatsoever.
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for pricing. |
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The MT-3 works just like any other stompbox - plug
your instrument into the input, plug the output
into your amp and you're rocking. The MT-3's stomp
switch mutes the input signal for silent tuning in
either on or off mode, performing double duty as a
"kill" switch for your rig.
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for pricing. |
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The MO-3 Micro Octaver is a 100% analog octave
divider based on a vintage 1970’s Guyatone
circuit. The MO-3’s operation will vary greatly
depending on input signal and playing
dynamics. Featuring One Octave Down, Two Octaves
Down, and Dry Blend, the MO-3 can create a wide
variety of effects, from standard “doubling
effects” to more bizarre synth-like tones
reminiscent of such desirable vintage pedals as
the MXR Blue Box and Mutron Octave Divider.
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for pricing. |
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An upgrade to the award-winning OD-2 Overdrive,
the OD-2+ takes the rich tube-like sound of that
classic pedal and adds additional tone shaping
options by way of a Hi Cut/Hi Boost Tone control
and 3-way Overdrive Mode switch. From clean boost
to gain-boosted solo sounds, the "Plus" is a must!
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for pricing. |
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A multi-function booster effect, the Sonic Shaper
emphasizes specific Harmonics of the input signal
to achieve a variety of useful results. By
boosting certain overtones, the SS-3 allows the
user to stand out in an ensemble or mix without
having to change their volume.
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for pricing. |
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The ST-2's variable Level and Sustain controls
allow you to dramatically "squash" the input
signal, yielding smooth, clean bell-like notes
that last for days. In addition, the ST-2 features
a direct on/off switch. When engaged, the direct
switch blends in a dry input signal at equal
volume with the compressed signal, eliminating the
attack-altering characteristics common to other
compressors.
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for pricing. |
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A retro-style fuzz effect based on the vintage
Univox Superfuzz, the concept behind the TZ-2 was
to create distortion using methods other than
waveform clipping. Unlike standard distortion and
fuzz pedals, the TZ-2 produces a sawtooth waveform
that yields a much ruder and cruder tone with a
whopping low-end that makes it perfect for use
with Bass as well as Guitar.
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for pricing. |
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The SV-2 is a voltage-controlled volume pedal
based on the vintage Boss Slow Gear. The SV-2's
Threshold control determines how hard a note's
attack must be to trigger the effect, while the
Speed control determines how fast the note will
swell to full volume.
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for pricing. |
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Many of the classic tremolo tones of the 50's and
60's were produced using tube amps with built-in
tremolos. Yet for some reason as time passed and
technology advanced these incredibly simple,
great-sounding circuits that provided such warm,
choppy tremolo fell by the wayside and were
forgotten.
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for pricing. |
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You may not have heard of the Wah Rocker, but
you've definitely heard it. A secret weapon of
countless pros, this diminutive auto wah has been
smuggled back from Japan for years by savvy
touring musicians looking for the ultimate funk
tone.
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for pricing. |
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Make their booty move! The BB-2 Bottom Blaster
features Guyatone's proprietary "Sound Control
System" (patent pending) circuitry that adds
butt-shaking lows and sizzling highs to any bass
sound! If your current gear just isn't moving
enough air, the BB-2 is like adding a palm-sized
hurricane to your rig!
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for pricing. |
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The BE-2 Bottom Equalizer let's you compensate for
these different rooms and applications with ± 12dB
of equalization over five separate frequency bands
and ± 12 dB of output Level boost or cut. The
frequency bands covered were carefully selected
for optimum performance with Bass Guitar and
include 70 Hz, 150 Hz, 500 Hz, 1 kHz, and 4 kHz.
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for pricing. |
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The first offering in the Guyatone Flip series is the VT-X Vintage Tremolo. Created from painstaking analysis of vintage tube amplifiers, the VT-X stands up against the best tremolo circuits of yesteryear and in many ways surpasses them.
Housed in a rugged-yet-portable, 1/16"-thick steel chassis, the VT-X is built to handle a lifetime of use and abuse. The single, shock-mounted 12AX7WA draws power from an external 12V DC power adapter, eliminating transformer hum and grounding problems which can lead to excessive noise levels. Effect LED indicator and electronic silent switching make the VT-X ideal for live or studio performance.
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for pricing. |
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In keeping with this tradition of great-sounding delay units, we are extremely proud to present the Guyatone TD-X Tube Echo!
The TD-X takes the popular MD-3 Micro Delay circuit and combines it with a custom-designed filter array that allows the TD-X to emulate a vast variety of vintage and modern delay sounds. Like the MD-3, the TD-X features 2600 milliseconds of delay time with Delay Level, Delay Time, and Feedback controls with switchable Short, Medium and Long delay ranges. Using these controls an entire range of classic delay effects can be achieved; from rockabilly slapback to Arena-rock washes of excess to sound on sound layering that slowly fades into infinity. Also like the MD-3, the TD-X can be used to create erratic, runaway echoes and self-oscillation by manipulating the Delay Time and Feedback controls.
Unique to the TD-X are its two Simulator controls. While most digital units emulate analog tones by using a high frequency roll off, the TD-X uses a frequency filtering system combined with tube warmth and saturation for a unique, organic delay tone that is much more realistic than digital modeling.
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for pricing. |
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More info and sound sample here. |
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The MM-X is the absolute last word in high gain distortion devices. It offers gobs of grinding gain and singing sustain that were previously unattainable without the use of the most powerful tube amplifiers at full-bore volume (did we mention most expensive and heaviest as well?).
The Metal Monster's hybrid tube/solid state distortion circuit yields everything from subtle overdrive to extreme saturation worthy of the blackest black metal band. Its Three-stage EQ section allows for precise control over all frequency bands, with a parametric midrange that covers the "sweet spot" between 200-5kHz. The MM-X's controls allow for an unlimited variety of brutal tones, including the trademark "scooped mids" made famous by bands like Metallica and Pantera.
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for pricing. |
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More info and sound samples here. |
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In an effort to bring the timeless tones of classic reverb back to the masses, Guyatone proudly introduces the Flip Series FR3000V Tube Drive Reverb unit.
The FR3000V is a stand-alone analog reverb unit that offers a multitude of tonal options for a variety of applications. What sets the FR3000V apart from other analog reverb units is its tube compliment and controls. It's a well-known fact that tubes add warmth and dimension to any sound source, and while there are other tube-driven reverbs on the market none of them come equipped with the tube types that are necessary to deliver pure vintage tone.
Each FR3000V unit is Loaded with New Old Stock General Electric 6K6GT, JAN GE 5751, and JAN GE 12AT7WC tubes instead of the inferior current-production tubes used by other manufacturers. These vintage tubes are tested and burned in prior to loading and then tested again in the FR3000V circuit for performance and tone. The difference between these vintage valves and current production tubes is day and night - warm, juicy, three-dimensional tone that simply must be heard to be appreciated. As any purist would tell you, there's just no substitute for the original!
In addition to its NOS tube compliment, each FR3000V features an Accutronics 4AB3C1B long reverb tank - the industry standard in spring reverbs and the recommended replacement unit for many vintage amplifiers. This 2-spring tank offers a longer reverb trail, allowing for a wider variety of effects. Reverb amount is controlled by the Reverb Level control, which is the equivalent to the Dwell control on other units.
The FR3000V has several other features that help set it apart from the competition.
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for pricing. |
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More info and sound samples here. |
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With optical circuitry based on the classic amp tremolo circuits of yesteryear, the Ultrem Optical Tremolo takes the tone of those legendary units and adds a variety of new and useful control features that set it apart from any other stompbox on the market.
With the Ultrem several types of tremolo and volume effects are available including oscillator-controlled Tremolo and manually-controlled Volume. Rate of the Tremolo can be controlled via tap tempo, the unit’s front-mounted Speed control, or an optional expression pedal. Dual outputs allow panning of the Tremolo effect between two amps or for use as an amp selector/blender in manual Volume Mode. Depth and Saturation controls allow for precise control of the degree and tonality of the effect as well as for use as a great-sounding Overdrive unit when the oscillator is disengaged.
At the heart of the Ultrem is Guyatone’s proprietary CPU controller which allows for quick selection of the Ultrem’s primary effect function. Six Effect Modes are easily accessible from the unit’s front panel, and each Effect Mode features a Sub-Mode that can be accessed with a quick press of the Control Footswitch. If that wasn’t enough, the last two Modes also feature Bonus Modes that allow for manual selection of the oscillator Waveform via an external expression pedal.
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for pricing. |
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More info and sound samples here. |
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With the Ultron three types of classic wah filter effects are available – Envelope Filter (filter effect controlled by pick attack), Auto Wah (filter effect controlled by internal oscillator), or Manual Wah (filter effect controlled via external expression pedal). For all three effect types the frequency range, direction and intensity of the filter effect are completely adjustable via the Threshold, Frequency, Drive and Peak controls on the unit’s front panel.
At the heart of the Ultron is Guyatone’s proprietary CPU controller which allows for quick selection of the Ultron’s primary effect function. Six Effect Modes are easily accessible from the unit’s front panel, and each Effect Mode features a Sub-Mode that can be accessed with a quick press of the Control Footswitch. If that wasn’t enough, the last two Modes also feature Bonus Modes that allow for manual selection of the oscillator Waveform via an external expression pedal.
Call the store or Email Tom or Peter
for pricing. |
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More info and sound samples here. |
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